Okay, I’m gonna be honest: I hate this song. I mean really? “Do you believe in life after love?” What does that even mean? I don’t know which I dislike more: The lyrics to this song, or Cher herself. It’s not that I don’t respect Cher– that bitch can sing. I just can’t get past her collagen-filled lips and cheeks and the fact that she has a baritone deeper than mine. That being said, I can’t have a blog about auto-tune without giving the song Believe some kind of honorable mention.
Oct 19, 2018 Once Cher suggested manipulating her vocals, Taylor began tinkering with the song on Auto-Tune, a recording program that had been on the market for. Oct 22, 2018 The answer is mathematician Dr. Andy Hildebrand, the inventor of Auto-Tune. Cher ‘s iconic “Believe,” which popularized the warbly, “robotic” sound long before T-Pain or Kanye West did, turns 20, so we’re taking a look back at the technology that’s helped — or hindered — pop music ever since.
Effect Auto Nj
This was the first mainstream use of auto-tune… ever. No one had heard the sound before Cher decided to make herself sound like a robot on the 1998 smash hit. This song became so popular, everyone wanted the “Cher effect.” Literally. There were reports of nearly every ultra-pop artist at the time saying they wanted to sound like a robot on their latest track.
So, why did Cher use the tool that we know and love today? Well, Cher wanted a new sound. She wanted to once again push the boundaries of music and pave a new path into the future of the 21st century. And what better way to do that than make herself sound like a robot? The futuristic sound gave Cher a curb on the competition and put her at the top of her game. At the time, it was the #1 selling track by a female artist in the U.K. ever.
The use of auto-tune put Cher on top of the world and I gotta thank her for doing it. If Cher had never used the sound of auto-tune on her smash hit what would music be like today? Some may argue that someone else would’ve eventually discovered auto-tune and used it but I like to credit Cher for her advancement in the music industry. You go, Cher. Thanks for using an awesome tool to create your futuristic sound. You brought to light a tool that has been used to create some amazing songs.
In Renaissance Italy, every self-respecting opera house had hosted at least one castrato -- male singers that had been castrated at an early age to preserve their ability to sing at a high pitch. Each year, hundreds of parents sent their boys to back-alley doctors, just to give them a chance at one day making it big on the European concert hall circuit. That is, until Italy outlawed the practice in 1870. Long before Auto-Tune, it seems, musicians have gone to great lengths to modify their singing voices.
More recently, artists have been using all kinds of electronic tricks to twist, distort and modify their vocal tracks. Pete Frampton wowed audiences with the talk box, a modified vocoder that allows artists to 'speak' through their instrument using a plastic tube. In the Beatles' 1967 hit, 'Strawberry Fields Forever,' John Lennon slowed down his vocal track, giving his voice a deeper, slurred sound. In the 1983 hit, 'Mr. Roboto,' Styx used a vocoder to simulate the sound of a robot talking. The music studio has always been a place to experiment, and with Auto-Tune within easy reach for every major music producer in the United States, it was only a matter of time before someone took the software 'to the limit.'
Advertisement
Download our autotune singing program for free and start enjoying hours on end of recording your voice!audio recorder freesound editor appauto tune app for singingaudio editor free downloadvoice changer provoice modulator for singingsound recorder appaudio editor and mixervoice changer recordersound effects generatorauto tune app freeloud sound effectsRock like a rock star and have a high pitched voice like the best singers in the world with a voice enhancer for singing! Automatic tuning has never been easier as now you have a voice recorder at your disposal that can make you sound like a famous person from real life! Audio mixer program with auto tune free software.
Reportedly, during the 'Believe' sessions, engineers had tweaked Cher's voice with the zero function purely as a joke [source: McNamee]. But once Cher heard the effect, she demanded they keep it in the final cut. In their Auto-Tune manual, Antares renamed the zero function the 'Cher Effect,' and it quickly began making the rounds of pop music, from Daft Punk to the Black Eyed Peas. For music producers looking to spice up the new millennium with modern sounds, the Cher Effect was a breath of fresh, computerized air. And the sound was surprisingly profitable. All it took was a few minutes tweaking the Auto-Tune dials, and a song's popularity was almost guaranteed to rise. At first, using the zero function was like adding backup singers or a sitar to a recording: It would spice up the track, but it didn't dominate the song.
That is, until a little-known Florida DJ known as T-Pain bought his first Auto-Tune CD-ROM. T-Pain had been experimenting with music production ever since he was 10 years old, and Auto-Tune soon became his favorite sonic trick. So much so, that T-Pain looked to outright meld his voice with the technology. Whenever T-Pain opened his mouth on an album, he decided, he would do so through an Auto-Tune filter. T-Pain's first major Auto-Tune creation, 'Buy U a Drank,' rocketed to No. 1 on the charts, and soon, like a modern-day Johnny Appleseed, the young rapper was flying to all corners of the United States to lend his Auto-Tuned voice to the greater hip hop community. When Kanye West wanted Auto-Tune on his 2008 album, '808s and Heartbreak,' he called in T-Pain as a consultant. By the time the pair finished, Auto-Tune was on every track.
Meanwhile, Auto-Tune's telltale warble was ending up in the unlikeliest of places. Artists like Maroon 5, Avril Lavigne and the Dixie Chicks were releasing songs that didn't feature the Cher Effect but still had tinny, strained vocals. Ten years ago, those songs would have been derided for sloppy production. But now, audiences were so used to electronic hiccups that they didn't even notice.